My work investigates the balance between opposing energies: traditional craft versus emerging technologies, tactile intimacy versus analytical structure. I work across medium-heavy sculptural paintings that challenge two-dimensional planes, protective and body-conscious apparel, and expressive spatial forms designed around vibrant textures and conceptual depth.
Grounded in early fascinations with spatial art and mathematical logic, my formal training combines Film Production (Art Direction & Producing) with a Bachelor’s in Business Administration. Through my studio, Kurica Creative, I operate at the intersection of creative direction, visual production, and strategic marketing, viewing commerce and creative expression as mutually reinforcing disciplines.
As a marketer, I design campaigns around community engagement and mutual exchange. I prioritize sustainable, long-term brand equity over temporary virality. Effective strategy requires moving beyond static research decks into active co-creation, rigorous qualitative testing, and honest communication tailored to the lived realities of distinct audiences.
My current focus is developing interactive installations that merge physical art objects with participatory data collection. Rather than leveraging information for transactional ends, these installations use audience engagement to hold up a mirror to our shared humanity—celebrating nuance, collective presence, and individual resonance.
[PAINTING above]
Time 01xDance, 2026
Acrylic on canvas
Marking a distinct development in Abstract Impressionist practice, this work translates the physics of uncertainty and the temporal flux of existence into an expressive, kinetic choreography. Utilizing the immediacy and luminous layering of acrylic paint, the composition visualizes female and male figures positioned on opposing sides of the plane, each carefully stretching the fabric of matter across a dense, solid core. This deliberate tension acts as an allegorical threshold, signaling emergent pathways for growth, transformation, and collaborative evolution.
Underlying the composition is a forward-looking feminist critique of production in the era of artificial intelligence. By contemplating a future where technological autonomy displaces human labor as a primary organizer of gender roles, the piece envisions a landscape of liberated identity—one defined by bodily agency, intuitive presence, and equilibrium rather than economic utility.